Lydia Wei

North Potomac, MD

Richard Montgomery High School


already we have gathered like shadows, like the faded 

imprints of the first day, at the edge of the field: 


moist soil turned, rice grain and ossein tucked under our

roots, bare feet kicking at the quagmire. beg to return 


to our families in the waning light, kneecaps pressed 

against breathing soil, crude graves marked with 


elephant grass and burnt rice baskets. we worship our 

ancestors who did hear the charlies singing “crack the sky, 


shake the earth,” their fallen bodies splayed on the convulsing 

earth as divine incense filled the sky 


with asphyxiation: and the country was a temple, 

aluminum soap tearing toward paradise like a prayer,


prayer for purity, prayer for cleanliness, prayer to wipe 

vietnam clean and start over for the new year; but still, it’s sweeping


on the day of tết. and the first man to open the door

is always charlie, always arvin, always willie peter, having forgotten


how even our father cleaved the air upon entering

the house. when we passed the overturned altars where bullets 


nested in oranges, flesh bleeding from the porous rind, a question 

hung in the air before us pregnant as a B-52: who could we believe in


now? napalm gods/paddy gods/monolid gods/vietcong bombed 

in buddhist pagodas/one god/no god/secular beauty of


history books immortalizing the expanses of annihilation,

forgetting the new year’s greetings whispered in the hoary frost,


massacred bodies murmuring chúc mừng năm mới/chúc 

mừng năm mới/chúc mừng năm mới, a eulogy for us: still


alive. yesterday we heard nothing but the shallow breathing

of lungs made of pickled fish and woven hammocks, fingers reaching


through the gaps to find each other before dreams,

but this morning we woke up to operatic preludes, the flight 


of the birds, cosmic enchantment humming tubercular & the eternal

and yet O how silent the moon is, sitting heavy in our hearts;


a poet, a spectator, atonement, speechless: but merely 

feeling, a gash where empty wishes fester in the chloracned sky.


when nighttime falls and the feasting begins, remember 

that the line of sweat above their lips only looks like blood


in the red lantern light.


"when nighttime falls and the feasting begins, remember / that the line of sweat above their lips only looks like blood / in the red lantern light." Those might be some of the best lines I have read in poetry. My favorite aspect of this piece is how the beauty of the language and of the writing is used to display such an ugly reality. It just goes to show how important and powerful poetry really is, how it is a door to the discussion of crucial topics for humanity. This piece evokes a whole culture and a massacre that goes beyond borders. It is suffering, but it is also strength immortalised in verse.

Lydia Wei is a student at Richard Montgomery High School in Rockville, MD, and will graduate in 2020. She writes because she believes that language can illuminate our histories and our heritage. During her free time, Lydia enjoys making blueberry biscuits and going for very long walks.